Showing posts with label D. Appendix 1: Research for main product. Show all posts
Showing posts with label D. Appendix 1: Research for main product. Show all posts
Tuesday, 6 January 2015
Friday, 21 November 2014
Comparable Texts - Horror trailers analysis
The Strangers
The strangers film has a similar story line to our film which is why we have looked at it. We have noticed that the trailer includes many quick shots and fast paced music. We wish to incorporate this style when creating our trailer to help its pace change throughout which will make it exciting and intriguing. There are also some shots used in this trailer that we wish to use such as the wide angle shots where strangers appear out of the dark. The shots of the house showing it being empty and eerie. These effects are ones we wish to use in our trailer.
Invasion of the Body Snatchers
This film has a similar story line to our film so there are some aspects of this trailer we wish to use. It is an early form of sci-fi horror so obviously we will be using aspects from this trailer and incorporate it in ours to help develop the story into the trailer to make the audience interested. We also like the use of the titles. Even though the titles in this trailer may appear to be outdated we can still use the affect in our own trailer.
The Host
Unlike the other two films this film is not a horror, it is a sci-fi thriller but there are still aspects of this trailer that we can use in our own. In this trailer many of the shots show people being chased. This would be perfect in our film as the story follows a group of teenagers being chased by the mysterious figures. This trailer also uses titles which is an effect we wish to use.
So all of these trailers have effects and styles we wish to use in our own trailer. The use of cinematography and mise-en-scene is perfectly exampled in all of these trailers. The creepy house with the figures appearing from the dark and the chase scenes. These are all examples of the cinematography and content that we wish to use
The strangers film has a similar story line to our film which is why we have looked at it. We have noticed that the trailer includes many quick shots and fast paced music. We wish to incorporate this style when creating our trailer to help its pace change throughout which will make it exciting and intriguing. There are also some shots used in this trailer that we wish to use such as the wide angle shots where strangers appear out of the dark. The shots of the house showing it being empty and eerie. These effects are ones we wish to use in our trailer.
Invasion of the Body Snatchers
This film has a similar story line to our film so there are some aspects of this trailer we wish to use. It is an early form of sci-fi horror so obviously we will be using aspects from this trailer and incorporate it in ours to help develop the story into the trailer to make the audience interested. We also like the use of the titles. Even though the titles in this trailer may appear to be outdated we can still use the affect in our own trailer.
The Host
Unlike the other two films this film is not a horror, it is a sci-fi thriller but there are still aspects of this trailer that we can use in our own. In this trailer many of the shots show people being chased. This would be perfect in our film as the story follows a group of teenagers being chased by the mysterious figures. This trailer also uses titles which is an effect we wish to use.
So all of these trailers have effects and styles we wish to use in our own trailer. The use of cinematography and mise-en-scene is perfectly exampled in all of these trailers. The creepy house with the figures appearing from the dark and the chase scenes. These are all examples of the cinematography and content that we wish to use
Thursday, 20 November 2014
Survey Questions
Before making the trailer for our film, we had to create a questionnaire to find out what kind of film people would want to see. We came up with ten questions with multiple choice answers. After the questionnaire has been filled out by enough people we will analyse the responses and use this data to create our trailer.
1. Are you male of female?
2. How old are you?
3. What is you occupation?
4. Do you go to the cinema? If so how often?
5. What is your favourite film genre?
6. Who do you normally go to the cinema with?
7. What are your reasons for going to the cinema?
8. Based on the synopsis below, would you be likely to go see this film at a cinema? Specify your reasons why.
9. If you would not see this film at the cinema would you consider to wait for its DVD release?
10. Would you recommend this film to others based on its synopsis?
1. Are you male of female?
- Male
- Female
- Prefer not to say
2. How old are you?
- 16 and under
- 17-25
- 26-30
- 31-40
- 41 and over
3. What is you occupation?
- Student
- Public sector
- Private Sector
- Self Employed
- Unemployed
4. Do you go to the cinema? If so how often?
- No
- Yes - rarely
- Yes - occasionally
- Yes - once a month
- Yes - twice a month
- Yes - once a week
- Yes - more tan once a week
5. What is your favourite film genre?
- Comedy
- Action
- Adventure
- Si-Fi
- Horror
- Romance
- Fantasy
- Animation/Cartoon
- Other (please specify)
6. Who do you normally go to the cinema with?
- Large group (5 or more)
- Small group (2 to 4)
- One friend
- Significant other
- Family
- Alone
7. What are your reasons for going to the cinema?
- Film plot
- Genre
- Actors/actresses involved
- Director
- Socialise
8. Based on the synopsis below, would you be likely to go see this film at a cinema? Specify your reasons why.
- Yes
- No
9. If you would not see this film at the cinema would you consider to wait for its DVD release?
- Yes
- No
10. Would you recommend this film to others based on its synopsis?
- Yes
- No
Monday, 17 November 2014
Film Distribution
What is meant by the term film distribution?
Film distribution is when the film is released to many
screens. Distributers have to determine how best to sell the film to the
audience, this includes advertising as well as the display of the film itself.
When distributing a film it has to be advertised as well as released in cinemas
and on DVD or Blu-ray or streaming sites. When distributing the aim is to let
it reach as many of the audience as is possible.
What does a film distributor do?
The distributors will complete the marketing to entice an
audience to watch the film. It will then release the film in cinemas, again
trying to reach an audience as big as possible. A film distributer has to
decide which area would be most successful in the release of the film depending
on the nationality of the film as well as the method of marketing and
advertising. The methods of distribution can vary depending on the company’s
reference to distribution.
How does reach relate to film distribution?
Reach is literally the film reaching out when
advertising. It is how many media platforms the advertising campaign uses and how it reaches the audience. The
campaign can use platforms such as television, radio, billboards, posters on
buses and various others. The size of the reach can have an effect on the budget.
If a big reach is used then there will be less money to use on the film as well
as less profit being made. However if a large reach is used and it is successful,
such as the Woman in Black campaign, then it can benefit the film and help to
make more money.
What is meant by
the distribution plan?
The distribution
plan is looking at where the film will be released. When planning the
distribution things such as competition and the areas where the target audience
live would be taken into consideration. The distribution plan will also affect
the budget of the film. The wider it is released the more it will cost.
What is meant by
the marketing plan?
A marketing plan
looks at the whole project and takes every aspect into consideration. It will
look at the films locations, costume and props, its advertising campaign and
possible merchandise. The marketing plan looks at every aspect to create an
estimated budget for the film.
What is the
difference between advertising, publicity and promotion?
Advertising
Advertising is
what introduces the audience to the film using trailers, posters, adverts etc.
this is all done within the film’s budget.
Publicity
Publicity is the
response of the film. It has anything to do with the response from people not
involved in the planning or making of the film. This includes critic’s reviews,
discussions from audiences, and articles in news.
Promotion
Promotion is
done through the use of advertising in places where conventional advertising
cannot be placed. This includes in restaurants in shops. This also includes the
use of merchandise which can also be found in the same location. The use of
competitions and collectable items can help to promote the film.
Find a teaser
poster, main poster and main trailer for a horror film and put them on your
Blog – who was the distributor and in how many countries was it released? Can
you find how many screens it was shown in on the opening weekend?
28 Days Later teaser poster
28 Days Later main poster
28 Days Later trailer
28 Days Later box office details
Representation of Women - Quiz
Who wrote about the “final girl” in 1992?
Carol Clover
In what book did they write about the “final girl”?
Men, Women and Chainsaws: Gender in the Modern Horror Film
List three traits of the “final girl”/three ‘conventions’.
-(Binary opposition) neither weak female or strong male character
-She fights back
-She is conservative/more innocent
Who wrote about existing research on women’s roles in media texts in 1983?
Jeremy Tunstall (The Media in Britain, 1983)
What were the 4 roles mentioned?
-Domestic
-Sexual
-Consumer
-Marital
In 1992 research showed that men dominated women on-screen, but by what ratio?
2:1
What was the only genre in which the ratio of males to females was more equal?
Advertising
Name one of the three problems with the findings?
-Men had the occupations
-Men were shown away from the home
-Men were depicted as authority figures
Why does the reading suggest that Ripley (Alien) is ‘more progressive’ than Lara Croft (TR)?
Lara Croft is sexualised and objectified
What are the 3 ‘C’s when discussing the portrayal of women in some lifestyle magazines?
Cooking, cleaning and caring
Who wrote Visual Pleasure and Narrative Cinema?
Laura Mulvey (Autumn, 1975)
(Briefly) describe what is meant by the ‘male gaze’
The use of camerawork; angling, point of view shots and framing etc. so that the women are an object of male gaze. The women are depicted as sexual objects.
Which magazine removed the male centrefold in the 1980s and why?
Cosmopolitan – the female audience found it more amusing and humorous than sexy.
Carol Clover
In what book did they write about the “final girl”?
Men, Women and Chainsaws: Gender in the Modern Horror Film
List three traits of the “final girl”/three ‘conventions’.
-(Binary opposition) neither weak female or strong male character
-She fights back
-She is conservative/more innocent
Who wrote about existing research on women’s roles in media texts in 1983?
Jeremy Tunstall (The Media in Britain, 1983)
What were the 4 roles mentioned?
-Domestic
-Sexual
-Consumer
-Marital
In 1992 research showed that men dominated women on-screen, but by what ratio?
2:1
What was the only genre in which the ratio of males to females was more equal?
Advertising
Name one of the three problems with the findings?
-Men had the occupations
-Men were shown away from the home
-Men were depicted as authority figures
Why does the reading suggest that Ripley (Alien) is ‘more progressive’ than Lara Croft (TR)?
Lara Croft is sexualised and objectified
What are the 3 ‘C’s when discussing the portrayal of women in some lifestyle magazines?
Cooking, cleaning and caring
Who wrote Visual Pleasure and Narrative Cinema?
Laura Mulvey (Autumn, 1975)
(Briefly) describe what is meant by the ‘male gaze’
The use of camerawork; angling, point of view shots and framing etc. so that the women are an object of male gaze. The women are depicted as sexual objects.
Which magazine removed the male centrefold in the 1980s and why?
Cosmopolitan – the female audience found it more amusing and humorous than sexy.
Tuesday, 7 October 2014
Narrative theory in relation to Halloween (1978) and The Crazies (2010)
Classical Hollywood Narrative is a theory that the majority
of films follow a pattern. Most forms of media follow this narrative. The
pattern being that in the beginning there is an equilibrium which is disrupted
and then problems are restored to re-establish a state of equilibrium. This
theory was originated from Tzvetan Todarov’s ideas and this theory developed
the names “Classical Hollywood Narrative” or Classic Realist”. This theory is
useful to understand media texts as many forms of media use it. Commonly it is
used in films but also in news stories. It will also help us to understand the
structure in narrative and different narratives of genre. However commonly,
horror doesn’t end in a re-established equilibrium, nor does it sometimes start
with an equilibrium. Sometimes the film starts with a disequilibrium, for
example in Halloween the opening of the film opens to the main antagonist
stabbing his sister. Once this initial disequilibrium has taken place it jumps
forward in time to an equilibrium which is then disrupted when the main
antagonist escapes from his captivity and is at large and now a threat. However
once the battle between the hero and the villain is over, conventionally the
villain is stopped, but in horror often the convention is that the villain gets
a way. You could say that the initial equilibrium and the re-established
equilibrium are both cushioned with disequilibrium.
- The villain – the baddie, or main antagonist of the story
- The hero – the protagonist
- The donor – the character that’s provides some sort of object with magical power
- The helper – the character that aids the hero throughout the story
- The princess – the damsel in distress, the character that the hero often saves from the villain
- The princess’ father – the character that rewards the character
- The dispatcher – the character that sends the hero on his way
- The false hero – the character that appears to be a helper but then reveals their plans are less than helpful
Binary
opposition are sets of opposite values. They help to establish themes in
different texts of media. This theory was introduced by Claude Levi-Strauss and
he formed the theory that these oppositions would help us to understand the
structure of media texts. Not to understand the order of events in the
narrative but the arrangements of themes. For example in horror common opposite
values would be good/evil, natural/supernatural or humans/monsters. This theory
isn’t helpful when trying to understand narrative structure but it helps us in
understanding the themes of the genre and the conventions of horror.
In Halloween there are binary oppositions evident;
- Good/Evil: The main character Laurie is good and the antagonist, Mike Myers is evil
- Dead/Alive: most of Laurie’s friends are dead however she is alive
- Past/Present: In the past he was contained in the institute, in the present he it at large and dangerous
- Unknown/Known: Myers’ face is unknown he is masked, his presence is always known
- Innocent/Promiscuous: Laurie is innocent however her friends are promiscuous.
Bordwell and Thompson defined narrative as “a chain of
events in a cause-effect relationship, occurring in time and space”. Their
theory is that the narrative will begin with an overall situation which then is
effected by a chain of events which creates the cause and effect pattern. In
the end of a narrative there is a final situation. Naturally when we view a
narrative our instinct is to connect events that have been caused by other
events even if this is not true in the narrative. Directors can manipulate our natural response
to link to situations together and create a mood and atmosphere by bringing
together certain shots. This builds a picture in our mind. This can be used
effectively in horror by editing to pictures together for example a scene of a
dead body which is then edited to another person; we can assume that this
person has murdered the person that is dead. This theory I think would be most
useful when analysing media texts. When analysing horror we can understand what
techniques and shot that director will use to create their suspense or fear. In
Halloween the opening scene sees Mike Myers murdering his sister. This then
moves on to Dr Loomis going to collect him in a mental institute. He might be
in the institute for another reason but we assume t is because of the murder of
his sister. Another example of the cause and effect would be the telephone call
that Laurie’s friend makes. She is strangled during the phone call by Myers and
because of this strange activity Laurie goes to the house to investigate and
she is then in danger of Myers. There events that we don’t see but know happens
for example we know that Myers went through some sort of trial when being put
into the institute but we don’t see him being put in the institute we just see
him in it. We also know that Laurie’s friend made a phone call to a character
that Laurie fancies but we don’t see this happen her friend just tells her.
The use of narrative theory in Halloween
- How does the start exemplify a common technical code convention of the horror genre?
- How does the setting fit with the horror genre?
- What iconography of “innocence” do we hear or see early on?
- What was the main industry impact of Halloween?
- Name some “slasher” films which followed on from Halloween.
- What are the four plot rules of the “slasher” film sub-genre which Halloween began?
The killer returns to the site of the event, usually on a specific date to use a calendar motif in the title.
The killer stalks and kills a group of teens with a blade.
The final girl survives but the killer is not entirely vanquished.
- Give three ways in which Laurie is androgynous.
- What does the extract mean by “a reactionary sexual agenda”?
- How does the director, John Carpenter, counter the suggestion that Halloween had a reactionary sexual agenda?
- Why does Mike Myers kill his sister?
The use of narrative theory in The Crazies
- Does The Crazies follow the CHN? Why or why not?
There are a few of Propps characters in this film, the hero is the sheriff. The damsel in distress is the sheriff’s pregnant wife and the helper is the sheriff’s deputy, but you could argue he is he false hero as he does turn against the two during the film but then helps them in the end. The villain is the government as they are behind the infection that spreads.
- List five examples of binary oppositions in the film and explain them briefly.
Infected/Uninfected: the infected have lost their human qualities however the uninfected are still human.
Free/Quarantined: the people who have been quarantined cannot get away from the illness opposed to those who are free and safe from it.
Day/Night: everybody is reasonably safe during the day but it is a risk to be out at night.
Normal/Un-normal: things are normal when there are no infected but once people become infected they are worried nothing will be normal again.
- Identify the three “durations” and give an estimate of the time each duration covers.
Plot duration – about three days
Story duration – a couple of weeks
- Give two examples of events that cause later events in the film but which occur before the film “starts”.
- List two events from the 101 minute film that happen in a different time and space to the one we are shown.
Tuesday, 23 September 2014
Monday, 22 September 2014
Jack Torrance - Horror character research
Jack Torrance
John Daniel “Jack” Torrance is the main ‘villain’ in the
novel and film of the same name ‘The Shining’. He was created by author Stephen
King who also wrote the novel Carrie.
The hotel that jack takes his position in is haunted by
ghosts who have died within, in violent manners. The hotel is also a host to a
being of unknown origin, who wants to control Jack into killing his son Danny
and harness Danny’s “shining” in order to “break free” from the hotel. Jack
gives in to the ghost’s of the hotel’s demands to kill his family and becomes
determined to kill his wife and son.
Tuesday, 16 September 2014
Monday, 15 September 2014
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